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This piece deals with Jazz pianism – put into a context that has only very little to do with Jazz anymore. Nevertheless, it is no purely intellectual or "deconstructive" endeavour; rather, a poetic and lyrical reference to the mood of a beautiful day in early spring.
The basic idea dates back to 1986. In February 2012, I revisited it and decided to realize it as a work for piano and just a little bit DAW-trickery.